The TheatreWorks World Premiere of "Triangle" is ambitious, with infectious music, clever lyrics, and excellent performances by all six characters, especially Ross Lekites as Brian and Megan McGinnis in the dual role of Jenni/Sarah. The staging and lighting are innovative and help move the play through the complications of hundred-year time switches and character changes. You get to exit the theater singing, a major plus in the spectacle-first musical idiom of our era.
But things are a little out of balance. The central conceit is that Brian and Ben's love-after-ten-seconds relationship in 2011 has the same power and gravitas as Vincenzo and Sarah's a hundred years earlier, who were doomed to die with hundreds of others in the historical 1911 fire at New York's Triangle Shirtwaist Company. Thomas Mizer and Curtis Moore's songs are strongest, though, when they pertain to the earlier romance ("Business," "Follow the Rules," "Papa's Gonna Kill You," "All That I Need is Here.") You can dance to the more modern-themed numbers, such as "Nine Floors Up" and "Drive Away," but they lack the same power.
Zachary Prince alternates with ease between the fey boy-toy Ben and the empathetic and serious Vincenzo. Sharon Rietkerk is excellent as Brian's friend Cynthia but even better as Sara's sister Chaya. Rounding out the cast are Laura D'andre as Dr. Zimmerman and Rolf Saxon as Howard/Boss/Isaac.
When the characters from different ages meet at the end, we want the modern Brian to convince the historical Sarah not to go to the Triangle to meet Vincenzo, as Brian never did with his dead sister Jenni (also played by McGinnis). But we already know the history. So the audience has to decide for itself how they feel about Ben and Brian, now that Vincenzo and Sarah are gone.
RATINGS: ☼ ☼ ☼ BANG
"Triangle" is a World Premiere and is still young. With the help of God, theirs or ours, the show will only get stronger as the run proceeds.
Lucie Stern Theater
1305 Middlefield Road, Palo Alto
Through August 2
$19-$74
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