Sunday, June 10, 2018

Finks ☼ ☼ ☼

By the end of Joe Gilford's "Finks," you have learned more about America in the 1950s than you wanted to know. The wave of Anti-Communist hysteria that swept over the country in the wake of Russia's awakening and emergence as a world power is difficult for us to imagine now. But the underlying message is that fear will always make America react in the most reactionary ways.

Mickey Dobbs (Jim Stanek) is a struggling comic who falls for Natalie Meltzer (Donna Vivino). Natalie is the prototypical Jewish activist of the day, filled with slogans and songs glorifying The Collective. Mickey just wants to work, but becoming involved with Natalie means also being present at meetings of show-business people with left-wing sympathies.

This is what America was like. Being in the room where it happened could get you thrown in jail and blacklisted from your job.

 We love seeing Gabriel Marin again, as doomed actor Fred Lang, plus an excellent set piece as a really tall Lou Costello. Leo Ash Evans plays Bobby, Natalie's professional and bisexual partner. His dance sequences with Natalie, and again at the powerful ending, are highlights of the show.

We also enjoyed Michael Barrett Austin, playing several roles including Elia Kazan (seen below), as well as the imposing Robert Sicular whose severe Committee Chairman look scared us silly despite remembering we were watching a show.

Act One starts too slowly for us, as we become accustomed to the staging, but in Act Two Director Giovanna Sardelli brings us home powerfully.

"Finks" is Joe Gilford's tribute to his parents, blacklisted actor and producers Jack and Madeline Gilford. We become drawn into the personal dilemmas faced by anyone ever accused of a trumped-up charge in a country where insanity has taken over.  In the end, deciding to be a fink or not depends on you. Sometimes, all you can do is dance as names are named.

RATINGS: ☼ ☼ ☼

The San Francisco Theater Blog Awards Division grants "Finks" Three Stars. The show is one that needed to be written. The excellent dramatic sequences, terrific cast and inventive staging outweigh the stylized comic routines which just make us uncomfortable. A little knowledge of Yiddishkeit --- well, it couldn't hurt.

Mountain View Center for Performing Arts
500 Castro Street, Mountain View
Through July 1, 2018

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