Tuesday, June 13, 2017

"Hershey Felder, Beethoven" ☼ ☼ BANG

We have seen Hershey Felder in his memorable "Irving Berlin," one of our favorite evenings of theater in recent memory. I wish I could say we enjoyed "Beethoven" nearly as much. Sadly, this Felder performance is funereal. (The set is a grand piano in a graveyard.) The costumes are dark, the set is dark and, above all, the story line Felder has invented, that of the son of a best friend of Beethoven's narrating an outline of the composer's life, is without energy or excitement. There is little connection with the audience. And, amazingly, for a show about one of the greatest composers in the history of western culture, there is far too little music. When Felder plays piano, we enjoy the timeless melodies so many of us grew up with. But there is far too much talk and too many forgettable characters.

Beethoven himself is portrayed as bombastic. Perhaps this was so. But between Beethoven's bombast and the narrator's strained sadness, there is little. Yes, it is a tragedy that Beethoven went deaf so early in his life, but surely there must be something else in the maestro's life we could learn about? Something else must explain his massive outpouring of creativity? Yes, his father beat him. So...that's it?

Hershey Felder is worth seeing at any time. But we wish this show were more about the composer 's music and less about the actor's craft.


 The San Francisco Theater Blog Awards Division grants TWO STARS with a BANGLE OF PRAISE to "Hershey Felder: Beethoven." But be forewarned: if the music of Ludwig von Beethoven could not squeeze another star out of those of us who grew up playing and venerating his music, it may not do so for you either.

A BANGLE OF PRAISE, certainly, for "Ode to Joy."

Mountain View Center for Performing Arts
500 Castro Street, Mountain View
EXTENDED through July 9

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