SF Theater Blog

This is a difficult review to write, because Catherine Rush's "The Loudest Man on Earth" is not about words, but about emo...

In his new show, "Can You Dig It?" Don Reed takes us back to East Oakland where he grew up. In his earlier show "East Fou...

Arthur, the once and future King, seems firmly in charge of the Kingdom of Camelot, though if it were up to us we'd side with Lan...

Daughter of a jazz musician father and dancer mother, Safiya Martinez inherited a lot of music and motion. A native New Yorker, she g...

This is how this review goes: we can't tell you anything about the plot. Neil LaBute's 2005 "This is How it Goes," curr...

It is said that when good Scots go to Heaven they hear only accordion music: bagpiping is for the other place. The ACT/National Theater ...

Coleman Domingo's "Wild with Happy" is a farce. A gay farce. A gay, black farce. At its best it makes you laugh out loud an...